Free Ebook The Story of Classic Crime in 100 Books

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The Story of Classic Crime in 100 Books

Free Ebook The Story of Classic Crime in 100 Books

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Review

"Written as a companion to the British Library's Crime Classics series of reprints, this descriptive critical catalogue of 100 crime and mystery novels (mostly British) published in the first half of the 20th century is irresistible for aficionados and a reliable reading list for newcomers. Edwards' picks, most published during detective fiction's golden age between the two world wars, range chronologically from Doyle's The Hound of the Baskervilles (1902) to Julian Symons's The 31st of February (1950) and include, in addition to many of the usual suspects, a few outliers sure to enliven debates among diehard fans. He groups his selections into 24 chapters that cover numerous aspects of the literature - the great detectives, the fair-play mystery (epitomized by Ronald Knox's The Body in the Silo), the miraculous or locked-room mystery (a specialty of John Dickson Carr), country house and manor murder mysteries, and so on - and whose ordering shows classic tropes giving way to newer approaches more resonant with modern times. A crime novelist in his own right, Edwards (The Golden Age of Murder) brings a specialist's discerning eye to discussions of each book's significance, and without giving away key plot points. This is an exemplary reference book sure to lead readers to gems of mystery and detective fiction." (Starred review) (Publishers Weekly)"Edwards follows his Edgar-winning The Golden Age of Murder (2015) with another study of primarily classical detective fiction, this one presented as a companion to the British Library Crime Classics series, also published in the US by Poisoned Pen...Most of the subject books are covered in a couple of pages, including plot summary, critical assessment, biographical notes and other sidelights, and historical significance. Edwards is an excellent guide as always, presenting new insight and information even on authors and books I thought I knew well." (Mystery Scene Magazine)"The book is engagingly written, allowing for the reader to maybe not have much knowledge of the classic crime stories, especially the older ones, but it is quite inspiring and you can see Martin Edwards' passion shining through in the text. This is definitely a great addition to the collection and would make a great starting point for any of you who don't know the best place to start." (Matthew Barnes Carpe Libris)"An 'unashamedly idiosyncratic' checklist from prolific novelist/editor/genre historian Edwards (The Dungeon House, 2015, etc.).As readers will expect from the editor of the British Library Crime Classics series, the lion's share of these 100 brief program notes, which read like a collection of prefaces, concern mystery novels published in England between the world wars. Even the most quarrelsome readers, their blood pressures duly raised, will take comfort in comprehensive indexes that list (though they give no page references for) titles and authors that didn't make the top 100." (Kirkus Reviews)

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About the Author

MARTIN EDWARDS is an award-winning crime writer best known for two series of novels set in Liverpool and the Lake District. He is series consultant for British Library Crime Classics, the Vice Chair of the Crime Writers' Association, and President of the Detection Club. The Golden Age of Murder, his study of the Detection Club, was published in 2015 to international acclaim, and has been nominated for both the Edgar and Agatha awards for the year's best book about the genre.

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Product details

Paperback: 370 pages

Publisher: Poisoned Pen Press (August 1, 2017)

Language: English

ISBN-10: 1464207232

ISBN-13: 978-1464207235

Product Dimensions:

5.5 x 1 x 8.5 inches

Shipping Weight: 15.2 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

13 customer reviews

Amazon Best Sellers Rank:

#149,463 in Books (See Top 100 in Books)

A very dry "read" but an excellent reference for those interested in how the British crime novel evolved. I didn't know how much I was missing this book until I got my hands on it from the library and within a day of reading through it, I knew I needed my own copy. This really is a reference book, and a wonderful one. It's intricate and makes sense. The reader doesn't have to know anything going in, and will know a lot of incredibly interesting information coming out. Building from the beginning, we see how British crime novels have been influenced and influenced others. While there are only 100 books "officially" listed, the mentions are never-ending, and I now have an even longer TBR list. I can only hope to live long enough to read some of them. I wish there was a companion for American crime novels, but no matter. This is exactly what it is supposed to be.

If you enjoy classic mystery stories, this is a great place to start. I have read all kinds of mysteries for over 60 years. What I liked was that I learned about some authors I had missed along the way. Highly recommended.

Enjoying the book very much -- and I like the cover, too!

Lots of info in book. Already have most of books it reviews but the extra info re. authors is interesting.

very interesting and useful

I received an e-ARC of this book through NetGalley and Poisoned Pen Press. Thank you.The crime stories written during the Golden Age of crime have proven their ability to remain entertaining and even addictive among modern readers of crime fiction. These books are different in many ways from the modern novels but if you look closely you will recognize an aspect in the modern book which mirrors a theme or technique which was once considered brand new. Martin Edwards has once again given me a method for studying the classic crime novel and the authors who paved the way for all the changes which have taken place within the genre. This book confines itself to the first half of the last century, between 1901 and 1950, and is a companion to the series of the British Library's series of crime classics. If you've enjoyed reading any of those reprints, this work will go far toward filling out your knowledge of the authors, titles, and themes which moved the classic crime fiction stories forward as they continued to change and evolve.There is simply too much information in this book to give anything like a list of authors or even a list of book titles. I can tell you that there are twenty-four chapters, each dealing with a different aspect of the novels from miraculous murders (also called impossible murders) to the lure of the countryside, the English manor house, the amateur detective, the educated sleuth, the backlash against politicians and on and on. In each chapter Edwards explains the theme, gives a brief synopsis of the examples of the novels he has chosen to illustrate the theme and a brief biography of the author. Each chapter discusses four or five novels. The book as a whole moves in a more or less chronological order, at least in the easiest way for the format to do that.The book also contains an Introduction, Select Bibliography, Index of Titles, and an Index of Authors which all provide a tremendous amount of detail on the subject. This is a book to savor, a book to keep as a reference guide, a book to help you find authors you aren't familiar with but want to try to track down. Even the most well known authors may have a novel mentioned in this collection which you have missed. I was equally surprised at how many of the authors and stories I was familiar with as well as how many authors I knew nothing about. Even though I initially read this book in digital format I already know I will have to get the print edition so it can go on my shelf of Classic Age crime fiction reference books. How could I resist?

‘The Story of Classic Crime in 100 Books’ by Martin Edwards (himself an award-winning crime writer) serves as a companion to the British Library’s series of Crime Classics but spreads its net wider to include some books which originated outside Britain, such as Ellery Queen’s ‘Calamity Town’ and George Simenon’s ‘Pietr the Latvian’.Edwards defines a ‘classic’ crime book as “a novel or story collection published between 1901 and 1950 which … remain of particular interest … to present-day lovers of detective fiction” because of their “plot, character, setting, humour, social or historic significance” or some combination of these factors. It is not a list of ‘best’ or ‘favourite’ titles but seeks to showcase, within a broadly chronological and thematic approach, the diversity of the genre. Thus although many well-known books by authors of literary merit such as Sir Arthur Conan Doyle, G. K. Chesterton and Dorothy Leigh Sayers are included, room is also made for more pedestrian authors and more obscure volumes.Edwards claims that as “far as possible, I have avoided including ‘spoilers’ revealing solutions to mysteries”. Sometimes he could have tried harder, for example, in relation to G. K. Chesterton’s ‘The Invisible Man’, although to be fair the title of that short story itself comes pretty close to acting as a spoiler in itself. Somewhat oddly, Edwards refers to the recent Mark Williams incarnation of Father Brown but not that of Kenneth More or Alec Guinness, the latter being all the more surprising given that the film ‘Father Brown – Detective’ is loosely based on the short story ‘The Blue Cross’, which he specifically mentions in his piece on ‘The Innocence of Father Brown’.Nevertheless, the overriding impression is that Edwards really knows his stuff and relishes in sharing his knowledge. His book is probably best dipped into, although reading the introduction to each chapter provides an enjoyable potted history of crime fiction over the period covered. Thus, like all good books, this one is likely to stimulate further reading.

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The Story of Classic Crime in 100 Books PDF

The Story of Classic Crime in 100 Books PDF

The Story of Classic Crime in 100 Books PDF

The Story of Classic Crime in 100 Books PDF